Necessities, Fields, and Research TopicsAn Introduction on Oral History of Iranian ArchitectureHistory is a great market included orders such as politics, society, religion, economics, culture and civilization. Any order can be crossed, but the market order and structure cannot be separated and disrupted. History should not and cannot be limited to political, social and economic history. The history of each nations culture and civilization also exhibits the political, social, religious and economic manifestations of that nation.
Issue 8 of “Oral History Bi-Annual” released The following titles are seen in the issue seven of the journal: The neglected layers of narration (Mehdi Abolhasan Taraqi), Mircha Eliadeh and Jalal Sattari deep in oral history (Peiman Abolbashari, Hasan Sadeghi Samarjani), Oral history and its importance in writing the characteristics of local women in southern Iran (Abolfazl Hasan Abadi), Availability of oral history interviews in provincial centers of the National Library and Archives of Islamic Republic of Iran (Peimaneh Salehi), ...
Memories of Iraj ShiriRescuers Who Went from Abadan to KhorramshahrThe Red Crescent Society is one of the active organizations in serving people after natural and unnatural disasters. One period of active involvement of the young volunteer forces in the society was during the eight years of imposed war and on the battlefields. Iraj Shiri is one of the youth of that era who entered Red Crescent after victory of Islamic Revolution. Being born in Masjed Soleyman in 1959, he immigrated to ...
304th ‘Night of Memorials’-2When I was in a dark room...According to the Iranian Oral History website, the 304th ‘Night of Memorials of Holy Defense’ was held on Thursday evening, July 25, 2019 at the Sureh Hall of the Hozeh Honari. In this meeting, Bakhshali Alizadeh, Ibrahim Khodabandeh and Mohammad Mosaheb, related some of their memories of Mujahidin Khalq Organization and Mersad Operation. In the first part of this report you read the memoirs of Bakhshali Alizadeh.
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Thirsty Sands (Part 6)
Jafar Rabiei
Design: Ali Vaziri
First published in 1991
Publishing House, Islamic Propagation Organization
Printed at the Aryan
The camera man took permission to take films of me. For a moment it crossed my mind that this good treatment towards me was a prelude to a propaganda operation. As soon as the cameraman started his work, I turned away, averting my face from the camera on the excuse of being in pain. The cameraman took up another posture to get my face on full.
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